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write my assignment 8961

Which pair of lines from T. S. Elliot’s “Rhapsody on a Windy Night” is an example of onomatopoeia?

Twelve o’clock.

A – [Along the reaches of the street

Held in a lunar synthesis,

Whispering lunar incantations]

Dissolve the floors of memory

And all its clear relations,

Its divisions and precisions,

B- [Every street lamp that I pass

Beats like a fatalistic drum,]

And through the spaces of the dark

Midnight shakes the memory

As a madman shakes a dead geranium.

Half-past one,

C – [The street lamp sputtered,

The street lamp muttered,]

The street lamp said,

“Regard that woman

D – [Who hesitates toward you in the light of the door

Which opens on her like a grin.]

You see the border of her dress

Is torn and stained with sand,

E – [And you see the corner of her eye

Twists like a crooked pin.”]

 

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write my assignment 26973

Hi, need to submit a 250 words paper on the topic Question 1 of 1: Attitudes Introduction: The attitudes you espouse may change in a few years due to the influence of peers, education, the passage of time, insight, and other factors. Choose a topic on which you are most likely to have a viewpoint, s. Attitudes Introduction I grew up in a highly conservative family that valued the sanctity of marriage in relation to religious beliefs. Although I grew up with happily married parents, I could never say the same for my cousins who came from divorced families or single parent homes. As a young person, I was taught by my parents to shun my elders who divorced or chose to “live in sin” by simply moving in together. This was a way of thinking that was further reinforced when I started attending a religious private school for my early and high school education.

The school further made the thought of living in without marriage seem morally wrong because of the religious connotation of marriage and its supposed relevance in the history of man. Needless to say, this was something that I strongly believed in and espoused because I knew nothing else and had not had a chance to actually mingle with anyone who was actually not married but living the life of a married couple anyway.

However, I got the exposure to such a lifestyle when I went off to college. I had classmates who were living with their boyfriends and girlfriends off campus in order to save on expenses, aside from the fact that they truly loved and were committed to each other. Commitment, that was the turning point for me. It was that solitary word that helped me realize that moving in together was not something bad. Rather, it was something good because it signified a commitment to each other and the relationship that was entered into. That was something that no priest or licensed government officer can forced unto a couple. Looking around me, I saw that the longest relationships, both in my family and out that I knew about, where actually those couples who were not married. This was positively reinforced in my adult thoughts by the likes of Goldie Hawn and Kurt Russel, Brad Pitt and Angelina Jolie, and other Hollywood live in couples. Then in my family, I had 4 happily together couples who were living together. So guess what, I no longer think that living in is such a bad thing. In fact, I would strongly suggest it to anybody who values a committed relationship more than any religious hullabaloo being fed to us by the church. Marriage is outmoded and that, is my personal attitude on the marriage.

 

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write my assignment 1963

1. What did early approaches to “biological” anthropology in the 1700s and 1800s focus on?

a. Race and race classifications b. Human evolution c. Socially and religiously defined groups d. Natural selection e. None of the above

2. What aspect of Mendel’s Law of Segregation does the Punnett Square help us to see?

a. which gene is dominant b. which gene is recessive c. the possible phenotypes of the offspring d. the possible genotypes of the offspring

3. According to the factors effecting evolution rates, which of these species would evolve faster?

a. tropical insects b. humans c. arctic mites d. trees e. they all evolve at the same rate 

 

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write my assignment 22749

Write a 5 page essay on Cultural Studies for Design.

Shattering expectations and questioning boundaries, he has set the stage for a new kind of fashion photography (Cotton & Verthime, 2003). This paper will look into one of Bourdin’s works for fashion photography by exploring the connotative and denotative aspects.

Within the domain of fashion and its interpretation, denotation and connotation vary widely. While denotation expresses nothing more than a straight interpretation of the object, connotation attaches cultural or other such meaning to the work. The work presented above has both a denotative and various connotative aspects. In simple denotative terms, the image shown above depicts a female figure dressed up in red clothes and shoes. The figurine is shown as if walking but being obscured by the pole in front of her.

While the denotative explanation for this image is deceptively simple, the connotative aspects are not. Bourdin is known for using certain visual narratives in his work. In the case of this work, these are the pole (often depicted as a pole, a tree, bollard, road sign and column in Bourdin’s work) and the wall (often depicted as a wall, a cliff face, wire barriers or as a wooden fence in Bourdin’s work). These motifs tend to recur in Bourdin’s work and signify his understanding of the world (McCabe, 2005).

In terms of classic artistic convention, the pole is a protagonist and Bourdin presents himself here as the symbol of his act of interpreting nature and the passing of time. Bourdin is the storyteller, like a director in a theatre who is reconstructing narratives of his own imagination and, as ever, remains enigmatic.

The wall serves as a barrier, it rises high, delineating the image plane and articulating the space. It creates a sense of threat – containment and frustration and hints towards untold mysteries. It inspires unease through both its formal and emotional tension. Bourdin recognized the conflation of space when he raised his camera to his eye.

In contrast, the

 

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